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Why Owl Post covers Entertainment

Entertainment coverage skews toward whatever the algorithm wants to surface this week. The shows nobody is watching that turn out to be the year's best television, the album that quietly reset a genre with no press cycle behind it, the film that earned its reputation through word of mouth rather than marketing spend: these are harder to find in a media landscape optimized for volume.

Owl Post reads entertainment with an eye toward what is actually worth your attention rather than what is loudest. That means tracking the streaming landscape critically, including which platforms are producing work that justifies the subscription and which are coasting. It means following music across genres rather than just chart activity. It means covering film with attention to what is in theaters and what is being overlooked. And it means following the business layer of entertainment, including the studio decisions, streaming economics, and industry shifts that determine what gets made and what does not.

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The beat spans film (theatrical and streaming), television across all platforms, music across genres, and the cultural conversations that form around all of them. Owl Post reads serious film and television criticism, music journalism with genuine editorial standards, and the entertainment business press that covers the industry economics behind the content.

Your digest adapts to your relationship with entertainment criticism. If you want the opinionated, take-a-position voice that tells you what is good and makes a case for it, that framing is available. If you want the recommendation-first approach that answers what to watch and what to skip without extensive argumentation, that works too.

A daily entertainment digest. What is worth your time, what the industry is doing, and what the culture is talking about.

Featured

The Weight of Angels by John Boyne review – what if Oscar Wilde had lived?

The great Irish writer died, a broken man, at only 46. Imagining a second act for him is a great idea – but the results are sentimental and unconvincing In 1895, four days after the opening of The Importance of Being Earnest, the Marquess of Queensberry left a card at Oscar Wilde’s club that publicly accused him of “posing as a somdomite”. Instead of instigating the libel case that led to his imprisonment and early death in a Paris hotel just five years later, what would have happened if Wilde had simply torn that card up? John Boyne’s new novel sets out to answer that intriguing question. For starters, Boyne contrives a fate for Wilde’s beloved Lord Alfred Douglas which entertainingly redistributes the details of the real Wilde’s life before, during and after his time in Reading jail. This sets up the novel’s cat-and-mouse game with the history it is reimagining. Wilde himself, conveniently released from marriage by the early death of his wife, is then free to live not as a tortured, scandal-haunted genius, but as a randy, wisecracking, party-going queen. The upside of this is that Oscar gets to swap bons mots with a crowded cast list of celebrities; the downside is that he shows little sign of the troubled and radical mind that produced the real Wilde’s late journalism and fiction, never mind the subversive linguistic pyrotechnics of The Importance.

theguardian.comLeft

Hallowarrior review – apocalyptic Home Alone-style survival horror delivers inventive shocks

Debut feature from Ben Sottak provides outlandish Halloween-based scares, with Milly Shapiro superb as the naive yet resilient home-defender, Pumpkin Home Alone meets Mad Max in this atmospheric seasonal chiller, named for Halloween and not a cheery greeting. A disease has wiped out most of humanity, leaving 16-year-old Pumpkin (Milly Shapiro) stranded alone in her rural family home in the middle of nowhere for the best part of four years. This classic American clapboard house has always been the perfect quaint yet unsettling place to celebrate Halloween, and she determines to uphold the family tradition and do just that, sending a radio broadcast to anyone listening to invite them to celebrate spooky season with her. Unfortunately, the message is picked up by some less than wholesome types, led by Thalia (Shannyn Sossamon), thus setting the stage for the proverbial to hit the fan. It’s the first major screen role for Shapiro since her memorable debut as the little sister in Ari Aster’s Hereditary, and she is in almost every scene here, making for quite the showcase. It’s good casting: Pumpkin is an intriguing presence – at once young and old, presumably because she’s been fending for herself during such a key stage of her development. She’s not had any adult guidance since the age of 12 – arresting her development in some ways, while having to survive, be totally independent and grieve her entire family alone has simultaneously made her unusually tough in others.

theguardian.comLeft

Deadline review – shocking threat sends tremors through authoritarian school

Set in a dystopian private academy rife with surveillance and cut-throat competition, Kiwi Chow’s gripping drama cements his status as an important film-maker Filmed in Taiwan and set entirely inside a prestigious high school, Kiwi Chow’s gripping drama frames educational systems not merely as a preparation for the real world but as a microcosm of society at large. At this elite private institute, pupils studiously march in lines like obedient soldiers, their purple uniforms the only pop of colour in a grey building of glass and steel. The school’s operations have a touch of dystopian sci-fi: students check in with AI recognition panels, which also display their class standing and disciplinary scores. In this sterile environment where human worth is measured by standardised metrics, the breathing room for individuality is nil. This panopticon atmosphere of surveillance and cut-throat competition is punctured by a shocking incident: an anonymous student drops a flurry of leaflets announcing their intent to take their own life on the day of the final exam, unless the school changes its authoritarian ways. The note sends tremors through both the administration and the students; intersecting narrative lines weave through a group of characters that include a model student, a dedicated but ambivalent teacher and a righteous slacker. Each carries a heavy secret that points to the moral rot beneath the facade of academic excellence.

theguardian.comLeft

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