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Entertainment

Movies, TV, music, and what's worth your time

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Why Owl Post covers Entertainment

Entertainment coverage skews toward whatever the algorithm wants to surface this week. The shows nobody is watching that turn out to be the year's best television, the album that quietly reset a genre with no press cycle behind it, the film that earned its reputation through word of mouth rather than marketing spend: these are harder to find in a media landscape optimized for volume.

Owl Post reads entertainment with an eye toward what is actually worth your attention rather than what is loudest. That means tracking the streaming landscape critically, including which platforms are producing work that justifies the subscription and which are coasting. It means following music across genres rather than just chart activity. It means covering film with attention to what is in theaters and what is being overlooked. And it means following the business layer of entertainment, including the studio decisions, streaming economics, and industry shifts that determine what gets made and what does not.

Read the full Entertainment briefing

The beat spans film (theatrical and streaming), television across all platforms, music across genres, and the cultural conversations that form around all of them. Owl Post reads serious film and television criticism, music journalism with genuine editorial standards, and the entertainment business press that covers the industry economics behind the content.

Your digest adapts to your relationship with entertainment criticism. If you want the opinionated, take-a-position voice that tells you what is good and makes a case for it, that framing is available. If you want the recommendation-first approach that answers what to watch and what to skip without extensive argumentation, that works too.

A daily entertainment digest. What is worth your time, what the industry is doing, and what the culture is talking about.

The Art of Opposition by Courttia Newland review – piercing essays on culture and creativity

The novelist issues a inspiring call for artists to exercise their autonomy in a world of gatekeepers In 1988, the late Ghanaian writer and filmmaker Kwesi Owusu edited Storms of the Heart: An Anthology of Black Arts & Culture, a collection of writings and images by Black artists in Britain, including Ben Okri on Shakespeare, Shobana Jeyasingh on Indian dance theatre, Jacob Ross on decolonising language, an interview with Ntozake Shange, and early pieces from the artist Sonia Boyce. Its intention was to document the advances made in Black diasporic arts in postwar Britain, to give voice to the creative and political concerns of practitioners, and importantly, to push back against the routine ghettoisation and marginalisation of their work. As a young writer aware of such realities, it was a huge inspiration for me. Courttia Newland’s essay collection The Art of Opposition is entirely his own work, but it has a similar impact, mainly because of its provision of a space for Black or “othered” creatives to feel supported and understood in their endeavours, and as a counter to the pressures of the mainstream. Newland, a novelist, screenwriter and playwright, is no stranger to these pressures himself, his work is sometimes subject to the dismissiveness of an industry that expects writers to serve commercial imperatives. In these erudite, fierce and clear-minded essays, he draws on his substantial experience and cultural knowledge to emphasise “the greater goal of saying what we mean”.

theguardian.comLeft

Abramorama Takes NA Rights To ‘Knife: The Attempted Murder Of Salman Rushdie,’ Alex Gibney Film About Author Attacked By Islamic Fanatic

EXCLUSIVE: Abramorama has acquired North American rights to Knife: The Attempted Murder of Salman Rushdie, the acclaimed documentary by Alex Gibney about the celebrated writer who survived a brutal knife attack at a public event. Abramorama plans to open the film on September 17 at IFC Center in New York City before a rollout in

deadline.com

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