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Zelenskyy blindsided after Trump announces ‘energy ceasefire’ in Ukraine war | First Thing

Ukrainian president says the deal is ‘news to me’ and that Russia is still attacking energy infrastructure. Plus, investigation into continuing mystery of Havana syndrome Don’t already get First Thing in your inbox? Sign up here Good morning. The Ukrainian president, Volodymyr Zelenskyy, has said it was “news to me” after Donald Trump announced a partial ceasefire deal in the Ukraine war. The US president had posted to social media to say: “Effective immediately, there is an ENERGY CEASEFIRE in the War between Russia and Ukraine. Both parties have agreed.” There was no sign that the Kremlin was observing Trump’s ceasefire. According to Zelenskyy, Russian drones took to the sky “throughout the day” on Sunday and there were several airstrikes, including on energy infrastructure. He said Russia hit a power station in Kharkiv – the latest of more than 200 strikes during the past week against electricity generation and transmission facilities in Ukraine. How has the prospect of a deal been welcomed? Despite the unconventional nature of the announcement, the ceasefire appeared to garner support from Ukraine’s key western allies. The French president, Emmanuel Macron, said Paris supported a “real energy ceasefire” and the UK prime minister, Andy Burnham, said a sustained energy ceasefire was “the best route to get energy and fuel back into world markets”. Will Trump’s deal with Putin bring down gas prices? The agreement to temporarily lift sanctions on US imports of Russian diesel will have little “meaningful” effect on motorists and businesses in the US and overseas, energy and foreign policy analysts have predicted.

theguardian.comLeft

A Fidai Film review – Palestinian collage film transforms suppressed footage into works of art

Using archive material of destroyed houses, terrorised children and dead bodies, Kamal Aljafari adds humanity to the reels by overlaying poems by Palestinian authors In Arabic, “fidai” means someone willing to sacrifice themselves for the greater good. Borrowing this word, which is at times used in a military context, for his collage film, Palestinian film-maker Kamal Aljafari stages a potent uprising of images against the tide of propaganda and historical erasure. Much of the film draws on archive materials once housed in the Palestine Research Centre in Beirut. In 1982, during the Lebanese civil war, Israeli forces raided the centre and seized the archive. Most of these documents on Palestinian history – books, newspapers, audiovisual artefacts – are believed to still be in the hands of the Israeli army. Obtained through clandestine means, the footage that resurfaces in Aljafari’s film bears the physical traces of political suppression. The images are scratched, grainy and pixelated, yet through the power of montage they evoke startling visual parallels that point to the relentless violence endured by Palestinians through the decades. Black-and-white film taken during the British mandate show soldiers patrolling the streets and inflicting violence upon the Indigenous population; similar acts then committed by Israeli forces. In place of a chronological order, the editing builds a sense of continuity through recurring images. Time and time again, we see torn-down houses, terrorised children and the bodies of Palestinians murdered by occupation forces.

theguardian.comLeft

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